Upcoming Shows/Events

Hey, blogspot readers, SouthSide wants to inform you on a couple of shows/events happening soon around town in which she recommends checking out...

 

On July 8 at Elbo Room, lyricist and urban activist T-Zank will be performing live on stage along with 3 other acts - Chi-Songwriter, D-Webb and Roy French on the heels of releasing his second album "Evolve".

 

“...Change is the only thing that is certain. Without a continual commitment to growth and evolution, we can easily get trapped in thought patterns that prevent us from really living the lives we are meant to live...” says T-Zank.

 

The project, Evolution, sheds light on this idea and is meant to inspire listeners to wake up and make a commitment to evolve into characters they need to be in order to achieve what they dream of inside their hearts. Evolution is an idea that many listeners will be able to deeply relate with considering that we have dreams that we hold on to deeply. What is the difference between the dreamers and those who really make things happen in this world? Evolution. Those who commit to evolving into the people they need to be in order to achieve their dreams are the ones who actually achieve and live them out.

 

21+ / $7 / 8:30p 

 

 

Celebrate Clark Street, July 19 & 20

Chicago, IL – June 12, 2014. Acclaimed by the Chicago Reader for its eclectic lineup of world music, Celebrate Clark Street celebrates its ninth consecutive year with a culturally rich menu of live music, ethnic food, arts and crafts, circus acts, people place, art lot and fun for the kids, Saturday, July 19 (1PM to 11PM CST) and Sunday, July 20 (1PM to 10PM CST) in Rogers Park.

Curated by Sound Culture Center for Global Arts, Celebrate Clark Street has grown from a community celebration into one of Chicago’s most renowned street festivals, attracting over 30,000 people annually. The festival presents world music and dance acts from around the globe, as well as cutting edge local bands on two stages.

This year Celebrate Clark Street welcomes Ricardo Lemvo & Makina Loca, Cheick Hamala Diabate, Ceci Bastida, Kosta Kostov’s Moussaka Bass, Rafi eL, Cumbia Machin, Funkadesi,
Fareed Haque’s Flat Earth Ensemble, Mambo Express, Los Vicios de Papa, Five Star Brass, Sangre Michoacana and more.

Celebrate Clark Street will be located on Clark Street between Morse Ave and Estes Ave and a $5 per person ($10 per family) donation is requested. Proceeds help fund programs such as the beautification of commercial corridors and the Glenwood Sunday Market in Rogers Park.

 

 

Great American Lobster Fest Pairs Fresh Lobster With Cutting Edge Music

Chicago, IL – June 19, 2014. The New England Seafood Company, The Foxhole Chicago, Green Curtain Events and Navy Pier /SMG have partnered to launch The Great American Lobster Fest, Chicago’s first outdoor lobster and weekend music festival.

Scheduled to take place Saturday, August 16 (10AM-1AM CST) and Sunday, August 17 (10AM-10PM CST) at Navy Pier, The Great American Lobster Fest will coincide with Chicago’s annual Air and Water Show and pair fresh live lobster, flown in daily from Boston by The New England Seafood Company, with over 25 live bands performing on two stages, fireworks on Saturday night, and a unique shopping experience.

The musical line-up will include original indie acts Local H, Nine Days, Lance Lipinsky & the Lovers, Netherfriends, White Mystery, Paper Thick Walls, Band Called Catch, Bailiff, Santah, and Akasha alongside tribute acts Think Floyd Laser Light Show, Kiss Army, Trippin’ Billies, Evenflow and Our Name is Jonas.

The festival grounds will be located at the East End Plaza and in the Grand Ballroom of Navy Pier, 600 E. Grand Avenue. A Chicago landmark since 1916, Navy Pier has evolved from a freight passenger ship docking facility to the #1 tourist attraction in the Midwest, drawing more than eight million visitors annually. Navy Pier currently encompasses more than fifty acres of parks, gardens, shops, restaurants, family attractions and exhibit facilities, making it a tourist and visitor hub. Advance ticket prices for the The Great American Lobster Fest range from $10 (general admission) to $25 (includes lobster pre-order), with “day of” and late advance tickets priced between $15 and $35. The Great American Lobster Fest is open to all ages and will commence rain or shine.

 

Until next time, support your local scene,

SouthSide

 

 

04 Jun 14 - Big Freedia

 

“...I’m that Queen that will make you bounce...” ~ Big Freedia
 

Hip Hop like many music genres (especially rap) has many regional variations and/or styles to which they have their own names like go-go (for example: go-go, a D.C. music style). Yet in NOLA (New Orleans, Louisiana), dance enthusiasts within the underground scene have something that’s called “bounce”, blogspot readers.

And tonight at Empty Bottle, this reviewer finally got her lesson on how to “bounce” correctly like they do it in NOLA while attending the first of two Big Freedia performance. It was rump shaker kind of party on hump day since basically that’s what she and many others who packed this popular Ukrainian Village venue were doing all night long, blogspot readers. Before Big Freedia and his entourage of dancers demonstrated the many ways one could “bounce”, opening acts Chances Dances (http://www.chancesdances.org) and a select few artists of Salonathon (http://www.salonathon.tumblr.com)  entertained the crowd with a rockin’ DJ sets, dance and poetic reading. The DJ trio known as Chances Dances had only one advice for the crowded Empty Bottle – get the kinks out before Big Freedia performed. With booty-shakin’ music vibing throughout, no one had any problems doing just that although it took a while but the room was movin’ and groovin’ nonstop ...showing off their best rump-shakin’ moves in front of the stage as well as where SouthSide stood. Meanwhile Salon-a-thon featured a tiny sample of up and coming artists rockin’ the stage whether it’s dramatic words to dance and/or avant garde theatric performance. First up Winifred Coon asked the crowd “...does my sexiness upset you...” while firing up the our minds with her passionate words. Then, we were dazzled by a very sultry dance number set to the song “Pusher Love” by the lovely Darling Sheer before Witch Hazel took over the stage to blow out minds with a dramatic out-of-this-world alien sex, blogspot readers. Yes, this avant garde performance was shocking as it was meant to be yet it was very entertaining in which some in the crowd were lucky enough to sample some of the alien creaminess at the end. Lastly, Mr. Wallace performed a short vignettes of songs off his EP which had the crowd instantly wrapped within his intense energy, vibin’ beats and commanding stage presence especially when strutting around in a blue bikini. What a perfect ending performance to open for Big Freedia, blogspot readers.

Now with that crowd was thoroughly pumped, ready and partying extremely hard, blogspot readers, it was time for the Queen Diva himself (or herself - he answers to either pronoun used) to demonstrate the arse-shaking dance called "bounce". Opening this party with an explosive bang, you couldn't imagine (unless there yourself) the instantaneous bursts this crowd sprung to life when he stepped on stage. Suddenly, Empty Bottle turned from a rock venue to an underground NOLA nightclub with people bouncing everywhere. And yes, there was SO much bouncing going on here tonight from start to finish that this reviewer was nearly exhausted before his performance was over. Yet, that's a good thing! It means this show was what SouthSide was expecting ...fun entertainment that was excitable and kept her attention (though she may have missed a few things here and there because she was too busy jotting down notes) until the very end. Big Freedia along with his entourage of bouncy dancers didn't waste a minute getting this packed venue all riled up and bouncing along with them, blogspot readers. Each and every minute was spent keeping the arses bouncing to his vibin' beats. Even if you didn't want to do it or thought you might be doing it wrong, he definitely does have an infectious way of getting everyone (no matter where you stood in this venue) to have fun while you bounce along with him and The Divas (the dancers), And if you get exhausted from the bouncing, too bad because it's Big Freedia's intentions to keep your arse shaking for him until he says it's time to stop. Certainly, the Queen that will make you bounce.

 

"...I got that gin in my system ...somebody's gonna be my victim..."
 

In a nutshell, it was more than just attending a Big Freedia concert. It was an intense, booty shaking to the extreme concert with incredible demonstrations of how flexible your arse can be as Big Freedia and The Divas showed off the many styles with a circular motion and a variation of crunk styles of the "bounce" during a sort of dance off competition. And believe, there are SO many ways and things you can "bounce" off from. Some of these things seen had to be left to SouthSide's imagination though wondering how the world can she or he to do that by doing that. Too many  amazing feats of bouncing happening all over the stage to put into this review which would spoil your fun when seeing Big Freedia in action yourself. But, she'll tell you that you can bounce even while in a handstand position or up against the wall ...get funky in a Kung Fu/karate bounce dance move. If you think it was insanely wild and crazy on stage, you should try being stuck in the middle trying to take notes while people around you are bouncing hard to songs like "Y'all Get Back Now", "Rock Around The Clock" and "Make Ya Booty Go". So insanely wild that twice he had a stage full of fans of all booty shapes and sizes (guys too - this dance isn't solely limited to the ladies, blogspot readers) crowding on stage to demonstrate their best bounce moves during "Azz Everywhere"  and "Freaky Money" in which the muscles in the glutinous maximus were working overtime all night, blogspot readers, especially when the Queen Diva himself show everyone how he bounces - totally had the crowd cheering each time too. During the set, Big Freedia debut tiny samples of what's to come off his upcoming album "Just Be Free" which included the title track and "Explode". He loved the way Chicago wobbles too. While doing a little rump-shaking herself, this reviewer enjoyed the excitement each of his lively mix of rhythmic beats and sampled tracks that will make you "...wiggle your hands while you shake your ass..." all night.

Whew. This was the best rump-shaking party ever, blogspot readers! And this just the first night of Big Freedia's two-night only performances. This reviewer can only imagine how intense and insane it was with locals Porn and Chicken handling the DJ sets before Big Freedia and The Divas bounced again.

SouthSide highly recommends getting your NOLA "bounce" on, blogspot readers, when Big Freedia's Just Be Free tour hits the Milwaukee Pride Fest (this Sat in Milwaukee, WI) and other cities like Cambridge, MA; New Orleans, LA  and San Francisco, CA. For more information about Big Freedia, visit http://www.bigfreedia.com.


Until next time, support your local scene,
SouthSide

 

 

11 Mar 14

"Turn the music up!" ~ Mod Sun

Hey, blogspot readers, it's a one exciting (busy) week for this roving party scene queen of local music! Tonight, kicks off record number of five shows happening ...with two happening in one night. Will she survive on little sleep and intense partying with bands like Mr. Russia, The Disclaimers and The Hot Sauce Committee? Well, it wouldn't be the first time SouthSide has overly booked her calendar to support bands locally as well as touring nationally because blogspot readers, it's not just a job but an adventure! On this particular night, she traveled to the Southside of town where fans of all ages packed Reggie's Rock Club to see the young hip/pop sensation T. Mills bring his "All I Wanna Do" tour with his free-love, hippie pal Mod Sun and Blackbear who opened the show. 

Now granted, this reviewer isn't a huge fan of the hip hop/pop scene but she did enjoy the show especially when Mod Sun performed on stage. This act had the entire main floor energetically bursting to life with its homage to the late 60s/early 70s Woodstock vibe yet within a boom-bastic bass sound, rhythmic flow and tight lyrical verse. Basically, blogspot readers, it's "hippy hop" according to the official Mod Sun site page since the band's mission is to be "happy". And after watching these "hippy" hopsters, it goes beyond the 'happy" phase. The artist behind Mod Sun strongly advocates for the simple things in life that keep him in a constant state of this "happy" groove like smoking marijuana, drinking lemonade with vodka and more - as heard from the lyrics to "Happy As Fuck" but it's all about having the power of positive thinking and outlook on life. It's the main reason why he doesn't have fans per se. He treats them as friends. Performing songs like "Stoner Girl" (which had the Reggie's security detail working overtime because of the strong presence of weed floating around the venue which was coming from the fog machine) and "Never Quit Smoking", Mod somewhat did have a positive message for the youth of this millennial age mixed within his style of hip hop/rap combined inside the intense electric guitar riffs and unique digital rhythmic beats. If you think it was crazy on stage during his performance, you should have been lost amongst the many teenage to young adults crowding around the rock side of Reggie's. It was cra, cra crazy, blogspot readers! It was like an intense workout watching both Mod Sun and crowd feed off each other throughout this fast and furious set ...watching every single moment how he constantly kept them in a "happy" state of motion especially when he emphatically declared "...I'll never quit smoking ...I'll be getting high til the day I die..." to all of his friends. Yep, he's the modern day hippie who enjoys having a good time in the sunshine while seeing his glass half full with a twist. SouthSide highly recommends catching this act at his next performance. Expect Mod's first EP Hippy Hop to drop in May. For more information about Mod Sun, visit http://www.modsun.com.

"You fuckin' sound like a Friday night" ~ T. Mills

All it took was for the road crew to set up the T. Mills promotional photo shots on stage for the entire venue to erupt into frantic  nonstop screaming, blogspot readers, to which got SouthSide wondering - is this what it's like at a Justin Bieber concert? It must be because there was a lot of screaming to be heard throughout T. Mills' headlining performance which didn't stop until it was over. The hip/pop artist had the right look ...almost the same Bieber haircut ...suave moves and debonair charm - yep, he had it all including the right amount of ballad to have each girl at Reggie's thinking he was singing exclusively to them. Having survived her own teenaged pop fascination (and this reviewer is not revealing who it was), she can understand how special they felt  whenever he would lean over the stage to briefly touch their outstretched hands to personally connect with them. It was utterly amazing to watch T. Mills and his stage persona charm the heck out of them during songs like "Friday Night", "Leaving Home" (it may be an "old" song but liked the R&B groove)  and "Diamonds" (a special song dedicated to his grandmother - "...we're gonna shine forever...") before intensely rockin' the stage with fast hip/pop songs. What made his stage performance almost like a rock show, blogspot readers, was the live drum/percussion that accompanied his programmed music and tight lyrical flow but nothing as highly energetic compared to Mod Sun's set. This was more of a laid back with the momentum felt at the right particular moments in between his ultra smooth vocals at the chorus and lyrical flow. After teaching the crowd his ad lib for 2014 (which they got on the first try), it was time to "Pump Up the Volume" (need to turn down the bass just a little) to which had fans returning to the state of frantic frenzy while "Riverside Girl" had them mellowing to a cold R&B/funk groove amidst a bounce rhythmic beat. It was an awesome example of chill-out, blogspot readers, that had some ladies around SouthSide swooning. And for one lucky fan name Danielle - T. Mills dedicated "All I Wanna Do" to her. SouthSide highly recommends checking out T. Mills while he's currently on tour. For more information, visit http://www.tmillsmusic.com.

Since it was an early show, SouthSide headed to Lakeview's Elbo Room for some angry robotic music, blogpsot readers. It was Wire-Tripped night at the upstairs lounge where Circuitry and Sean Payne (of Cyanotic) were spinning the best in industrial/synthpop/cold wave/electro/ebm music while under a relaxed atmosphere with the cult movie classic Blade Runner playing on the screen. For a wet, dreary and then snowy night, it nice to see people coming out to attend this free event. Meanwhile downstairs, bands like Semple, Breaking Through and Silverside were rockin' the stage beneath the dazzling lights until midnight. This reviewer plans to review more of Chicago's EDM/dance scene such as Queen (happening at Smartbar), NOCTURNA, Convergence and more in the coming months. So stay tuned. Also, check out Sean Payne and others spinning more angry robotic noises at NEO every second Friday of the month.

Until next time, support your local scene,

SouthSide

05 Feb 13

Hey, blogspot readers, come walk the red carpet with the rock star of the local scene! Besides rockin' the carpet, SouthSide's networking and mingling with other Chicagoan industry and professionals at this extra special event held inside the legendary Alhambra Palace Restaurant (located within the heart of the West Loop neighborhood).  It was an honor to be standing in the same room with professionals from the fashion, TV, film, music, dance, sports et al industry while attending the Pre-Grammy Awards Music Entertainment Networking  party sponsored in part by Germaine Moody Events. The fabulous ...glitzy event brought out many to interact, connect and re-connect as well as get acquainted with new faces. Usually this type of event is reserved for those in Beverly Hills, CA however the wonderful people at Germaine Moody decided to bring the all of fun, glamour and featured local music talent to Chicago.

Robbie Gold performing

SouthSide had a fun time mingling and meeting others in the local music industry like Lo Rene of D Vision II  Entertainment and Oscar Warren, Jr. (talk show host, music teacher, singer/songwriter) of D'Luvv Records who was promoting another artist, Loretta Lee, and her Billie Holiday show. This reviewer hopes to interview as well as review this artist soon for a future On The Town feature. During the height of the event, SouthSide was able to snag an exclusive with the teen band, RebelMann who won the Chicago Music Award in 2012 and also recently performed at Rock-n-Roll Fantasy Camp Las Vegas in October. The band, brothers Clayton (front man on vocals), Johnathon (guitar/back vocals) and Bryce (drums/back vocals) along with their mom and manager, Julie, were excited and quite humbled to be nominated again in 2013 stating "...it felt really good..." How they got to be at Rock-N-Roll Fantasy Camp was a stroke of luck, blogspot readers. They had nearly completed a tight 9 show (amazingly within 4 days) in Nashville when a represent of R-n-R Fantasy Camp asked mom if they would like to be a part of the weekend adventure. To hear it from the young lads of RebelMann, they were still excited about staying at the fab MGM Grand Hotel by saying "...it was mindblowing..." to this reviewer. They loved the buffet and met rock legends like Rudy Sarzo (whom SouthSide hears is teaching Miles Schuman who wants to join the band as their bassist), Gene Simmons (who according to RebelMann was blown away by the talented young group), David Fishoff (who highly endorses them) and many others.

The biggest honor for this band came when they were invited to open at the legendary Whiskey A Go Go for LA Guns and was asked to return on New Year's Eve to open for the same band again. According to mom, Julie, "...[it seems] I've birthed a band..." yet did add "...it's crazy..." since she's learning firsthand with some back up support from friend Rudy Sarzo and Bruce Kulick (of Grand Funk Railroad) what really does into making a band successful especially in today's social media universe. She's learning how to handle web design to legality issue while being grateful for having such support. SouthSide asked the guys where would they like to perform next to broaden their fanbase. They said they would like to play at Metro, Taste of Chicago and of course the big dance - Lollapalooza as well as the neighborhood festivals like North Halsted Market Days ...anywhere they could be heard as a band.  "...any gig is a good gig..." says RebelMann after describing their shows to this reviewer as "...powerful loud exhilerating entertaining and engaging..." For now, the band is focused working on a debut album that will feature 5 to 6 of the band's best songs after deciding which ones to record out of 12 to 13 songs. SouthSide is looking forward to seeing the lads rock the stage soon at an all-ages event (hopefully) at Metro or Reggie's Rock Club sometime soon but in the meanwhile, she urges blogspot readers to get acquainted with this rising teen rock band by visiting them at http://www.rebelmann.com.

After the exclusive interview, SouthSide also checked some of the local talent featured for the night's festivities and highly suggests checking out the upbeat rhtyhmic, alternative/pop rock (and sometimes soulful R&B) music style of Robbie Gold, blogspot readers. This trio really impressed not only this reviewer with their lively smooth sound but also the Pre-Grammy attendees to which they enjoyed the energy and momentum felt throughout the band's performance. After opening with an R Kelly cover (that featured strong vocal falsettos), Robbie and the band quiekly moved into the title track off his current release - Impact where they totally spiced up the stage with more intense momentum and heartfelt emotions heard during this touching song. Though missing rest of their first performance while interviewing RebelMann, SouthSide didn't have to wait long to catch Robbie's solid second performance which included hot R&B covers of Marvin Gaye's Let's Get It On (boy, was that cover ever SO hot and steamy as well as sexually sizzling on stage) with bits of The Temptations' My Girl tossed in the mix and Bruno Mars' Just The Way You Are to which this reviewer enjoyed this artist's version instead of the original since Robbie took the words and meaning to heart by personalizing the entire song to fit his music and vocal style. Then he truly brought down the house when he sololy performed Michael Jackson's Man In The Mirror where he turned the pop hit into something more meaningful besides personal to him for the audience before moving into another song, Over Complicated, also off the Impact CD with the other members of the band. SouthSide really enjoyed the energy and pop felt within Robbie's alternative/rock sound. It had a vibrant as well as lively beat to keep you dancing and grooving to the rhythmic music.  To hear more by this artist, visit http://www.robbiegoldmusic.com.


Until next time, support your local scene,
SouthSide

One On One with Charlie Hustle

Who is Charlie Hustle?

A question asked of this underground hip hop artist during a recent interview with SouthSide. You might know him as the other half to the supergroup duo known as Bread N Butta from their hit #1 single - Dolla Baby. However lately, he's genertating noise on his own by not imitating anyone famously mainstream or following what the rest are creating music wise, blogspot readers. What he's definitely doing is trying to rise above the rest and be the greatest by capping on the best of himself while motivitating and inspiring others to do the same through his songs. And we've barely uncovered the surface of who and what this artist is all about as he reveals a little more of himself and his creative process to SouthSide within this interview as well as why "The Greatest" is his favorite song and more.

Charlie Hustle has the best of all worlds, blogspot readers. He can be a hardcore hip hop artist and then on the flipside he can be that motivator. Hear how he describes himself, "...[I'm] fresh innovative determined leader and go-getter..." And why is he these things, you might ask yourself. The artist went into further detail of each word used to described who Charlie Hustle is. He's fresh "...like new air..."; he's innovative because "..[my] beats don't sound the same..."; he's determined to stand apart from the rest; he's a leader  because "...my crew expect me to lead them and do things..." and last but certainly not least, he's a go-getter ...a hustler with dream. "...everyone has a dream..." states Charlie, "...that's what inspires everybody..." In wrting his songs, like "The Greatest" or "I'm Kool", this artist draws his inspriation from his own personal experiences and situations "...[from] the things I've been through..." Yet, there's flipside to that statement, blogspot readers. Charlie also references things "...that people don't want to say or feel..." A spokesperson, you could say, to uplift and motivate those who are too shy or timid to speak for themselves.

Musically, this artist has a unique approach for his beats to which he's not using the overused James Brown's Payback or other popular hit songs for his beats. Instead, he samples rare or even hard to find artists as well as B-sides from old 70s soul music. He likes using artists who weren't as popular like James Brown or The Temptations however will use a rarely heard B-side that wasn't popluar by the same artists. Then, too, if it's something like Adele, Charlie will try to use a song that no one else has used before. Prime example - listen to the music backing his lyrics for the song "The Greatest". Even though not remembering the artist's name and song title, he disclosed to SouthSide that upon hearing this obscure song he found the music to be powerful and inspirational. After getting the inspiration, blogspot readers, it's time to begin the multi-tasking process of creating his unique sound and beats via the use of Fruity Loops.

And this isn't going to be an easy process to complete in a day. "...when I hear a beat in my head, I [will] test all instruments..." until getting the right rhythm wanted for a particular beat besides sampling music. This process might also include a little adding or substracting something to the beat like hooks or the percussion sound as Charlie tries to build a beat around the rhyme before adding the lyrics of the song last. As you can plainly see, Charlie Hustle is somewhat meticulous with his songwriting and music process for each song like his favorite, "The Greatest". "...The Greatest is special to me..." Charlie tells this reviewer. Besides feeling powerfully motivated by the music, he also told SouthSide that for this particular song he instantly got the hook '/...I'm the greatest...' "...[it's] one of those things that clicked..." he says before going on to say the song was specifically written for people who want to be inspired as well as for those not really into hip hop music. The main plus side to this song, blogspot readers, it shows others within the music industry how versatile and marketable "...in different areas..." this indie hip hop can be. That he can do it all.

This reviewer highly suggests checking out Charlie Hustle's two other songs "I'm Kool" - with its retro R&B/soul sound in which Charlie (behind nerdy looking specs) tells you he's not worried about what the haters (others) have to say about him and his music and "Get Ya Own" - Charlie's hardcore hip hop song showing you don't have to be a cliche artist to follow what others are doing, blogspot readers. Personally, he doesn't want imitators imitating him. It's nice yet he strongly advises "...just be yourself..." because "...you can't sound or be like me..." One thing to look closely while watching his videos, he uses real places around theSouthside area of Gresham/Auburn neighborhood to which he prefers than using a "costumed" studio (an empty building decorated for a video shoot). Also you might notice, he spends a lot of face time in the camera as he's personally "chatting" with you throughout the video, blogspot readers.

During the interview, SouthSide asked Charlie if there was a difference between hip hop and rap since sometimes in the mainstream of the music industry the two words have been interchangably used together. "...there's a difference..." he states, "...hip hop is more socially conscious ...it touches on things like politics..." while "...rap is straight to the point..." Charlie further stated that rap, in his opinion, should be called hip pop now because "...it's no longer a Black thing ...or not coming of the Bronx anymore ...it's mainstream and global..." With that being said, is there a distinct difference between Southside and Westside (of Chicago) rap or hip hop? Truth be told, blogspot readers. there is. Though both do talk about gangs and the lifestyle of living in both respect sides of the city, according to Charlie "...[it's] more lyrical on the Southside..." while  on the Westside "...it's more basic ...straight to the point..."

So what can you expect from Charlie Hustle in 2013? Well, blogspot readers, you'll see a lot of him. At the moment, he's in negotiation for something he's working on but it's tied up in music politics which he tries to stay away from. "...don't want to be held accountable for not bringing in the support or not selling enough tickets..." he states before adding, "...I will bring my support..." Also he's currently working on a website and new video that premiere towards the end of the month as well as having his mixtape, The Reset Button, 90% completed. And if that's not enough, besides being featured in this blog, you can read more about Charlie Hustle featured in Source magazine and Hip Hop weekly - both coming out soon. Visit his YouTube page and check out his official video for "The Greatest", blogspot readers, or follow him on Twitter@charliehustle20.


Until next time, support your local scene,
SouthSide

24 Jul 12 - Producers Summit

Hey, blogspot readers, give SouthSide a beat! Tonight, at the Guitar Center (located in Lincoln Park/Lakeview area) was the site for a special yet intimate gathering where indie producers near and far (as in St. Louis, MO) received some helpful advice and insite about being a producer as well as battled their best beats against each other in front of Grammy Award winners, S1 (Symbolic 1) and Rhymefest along with Stephen - Rhymefest's engineer. This was an extremely rare chance and opportunity for those up and coming producers of all ages, ethnic backgrounds and sex to be a part of this Producers Summit. The FREE event was presented by Music Industry Workshop in conjunction with The Guitar Center featuring Brand Aok (of iStandard Productions) hosting and taking on the moderating duties during the Q & A session throughout the open public event.

After a brief welcome to the session by the manager of this Guitar Center Location, Rhymefest opened with a brief history into his rising career as a Battle Fest rapper (noting that Chicago has the best Battle Fest rappers) trying to make a name for himself which included winning a battle against Marshall Mathers (aka Eminem). His connection to Jay-Z and many others began with his connection with Kanye West who was making beats for him because at the time, according to Rhymefess, no one wanted to hear Kanye rap. Soon he was signed to a major (R&B) label however became indie to learn more about being a producer and the craft with Kanye. Besides music, many voters in Chicago should recognize this artist because of his run for the aldermanic race in the 20th ward against Alderman Willie Cochran. Though unsuccessful, it did put this hometown producer in the media spotlight about his passion for community activism to which he currently felt has more of an impact through his new venture - Project Moses with Symbolic 1. Not really going into too many details, Rhymefest did hint that this organization will create its own label as well as sign indie artists to it.

Meanwhile S1 (or Symbolic 1) offered a quick look into his 15 years as a producer which started off making beats for Strange Fruit Project on an indie level before working full-time. Then he met and started collaborating with Little Brother for a while which led up to his meeting with Kanye West via Rhymefest whom he sent a sample of his beats who in turn had Kanye check out. According to S1, "...relationships are so important ...the relationships you build will help in your journey in this industry..." For S1, his journey over the last 15 years has been built on making good connections (ie relationships) around other artists that he had the chance of meeting. Lastly, Stephen, a man of many few words, spoke rather briefly about his career as an engineer and mixer but that didn't stop Rhymefest for truly highlighting how much appreciated this person was to him. The artist stated that Stephen besides being an engineer also had a brilliant mind not just for how music and instruments should sound (has a rock band) but for the business side of the industry too. According to Rhymefest, he has written proposals for him calling the engineer his "...partner..." For Rhymefest, he was able to see a different prospective of music as a business than just producing beats for Jay-Z or Kanye or Beyonce et al.

Now it was time for a brief session of Q & As amongst the participants in this crowded back room and the first question was about how to maintain relationships. Both artists highly recommended to everyone that they be "...a man of [their] word ...follow through if [they] promise something, then do it..." Doing this certainly shows what kind of person you are to others who might in turn tell others and so on and so forth. S1 also added  "...doing small things and being kind..." to the mix. Meanwhile, Rhymefest also highlighted the point if someone does you wrong, don't go with the impulse to snap on people which brought up the follow up question - how to handle a situation when someone has done you wrong. He suggested considering how to use that situation as leverage to your advantage and/or knowing when to walk away from the relationship with your services and pride in tact. Also he advised, if considering the non-profit route, find what you're interested in or want to promote. "...[you] do not have to do everything what people do..." Both agreed that you have to make music "...that's special to you ...as musicians, we're suppose to be starting trends not be controlled..." That is something SouthSide can agree with. "...if you make music, be a leader and have the followers follow you..."

The next question dealt with on how to handle the direction of a song from different points of view. It was advised that having strong communication and discussions ...thus trading and creating concepts and ideas to build a song. Rhymefest stated that as a writer he's open to edit and has full trust (as well as faith) in the producer, artist, etc. It was suggested that many young musicians and producers don't know how to handle this to which you need to be mature and professional. Then it was asked what was the difference working with major label and indie. Symbolic 1 said there are similarities but with an indie artists it's easier to get your money up front compared to the major label since there's a network of people who have to sign off on your check. According to him, depending on the artists, creativity is cut out and all because of - technology. "...everyone wants you email, pick and then demo the track..." while with indie artists "...[there's] more creativity..." because you're able to work closely with them. Another asked S1 since he was from out of state how did he make relationships outside from where he was from. Jokingly he replied there's "...so much I can do by staying locked in a room..." yet at the end of the day, it's all about that one beat. And since he wanted to put himself out there, he began entering events and showcases despite spending money he didn't have. But it was necessary if he wanted to take his career to the next level. His advice was "...build and maintain relationship ...network..." Before taking a break for two separate producer battles, the last question asked was about how production had changed over the years. Back in SouthSide's day (and yes, she's dating herself again), there was no software just hardware (ie think of that episode of Everyone Hates Chris when he wanted to be a DJ) for creating beats. S1 being sort of old school he didn't want to switch to software after getting quite familiar with his V8Fx soundboard and sampling tools but did switch over upon discovering the sound was greater and was able to manipulate different sounds better.

Just because it as Rhymefest and S1 judging the producer battles, don't think the battling contestants were treated lightly, Oh no - these two artists offered honest and constructive criticism (as SouthSidewould do when reviewing a show) to each of the contestants on what they could do better to how to improve, add, subtract, etc from the sample heard, blogspot readers. Here's a sample of what happened in round 1:  Blitz Beatz was first to which S1 said it was great but it need some tweaking and limit stock sound while Rhymefest stated it was really good however the intro was too long. It didn't have the same build up as the drop. Next, representing the ladies, was Michelle and her track - S1 said it had too much going on (at once) to which she needed to make sure each sound had its own space and identity while Rhymefest wondered (as an artist) if he could rap over it saying the track didn't have enough groove to rap to. There was Treymaine (this reviewer apologizes if name is misspelled) to which both judges liked a lot. Rhymefest began rapping his opinion about the track in time with the beat and declaring it the winner with Blitz Beatz as runner up. Other battle contestants included Buggin' Beatz (the track didn't have enough umph to take it anywhere though loving the pianos used) and Stadium Status (the drums stood out amidst the melody but also needed the right sounding drum beat for this particular track). How does one make the drums harder? "...know your monitors ...know how drums are suppose to sound..."

Here's a sample from round 2: Abliteration took the spotlight with his track to which Rhymefest said it sound like sounds were clashing together ...there was no personality and S1 said he needed to understand (as well as play with) the EQ ...clean everything up, buld it and clean to improve - beware of the instruments. Stephen commented "...instead of adding ...cutting to what the human ear can hear..." Then there was Foo and his track had the a unique drum beat but no groove to which Rhymefest advised that producers should know how people move (ie look at what drugs are popular) meanwhile S1 though liking the track had to agree with Rhymefest since he too was expecting it to go somewhere. J-Hush was next and he received compliments about his track because both judges immediately recognized that he's a producer who knows how to mix very well. According to Rhymefest, the track demonstrated his professionalism and S1 said the song was ready for airplay. Again both judges like the track by Matthew in which S1 said it was "...dope..." because it was "...a real feel good track..." showing his musicianship and Rhymefest liked how the music made him feel because of its vibe stating we needed more producers and music like his. Also battling in this round was Joy (needed more element [ie melody] in her track ...it was too plain though having some style) and Black Norris (both agreed the track was a hip hop joynt though a little dated with the drums). Winners for this round were Matthew and Foo but everyone who attended this session wanted their music to be heard and judged tonight though sadly couldn't due to time constraint.

In the end, blogspot readers, it was a very informative though brief look into the world as a producer within the music industry. One, she hopes, each participant learned something to improve as well as better their craft.


Until next time, support your local scene,
SouthSide

23 Jun 12

Hey, blogspot readers, SouthSide's rockin' a FREE-weekend! In celebration of Wicker Park's Green Fest, the hippest rock venue on 6 Corners lined up 3 spectacular days of free shows all weekend long featuring DJ sets and hot music acts in their effort to continue the spirit and fun of the fest happening next door.

On this particular night, Double Door entertained the fest goers with hot remixes of retro to pop modern classics and hits to keep everyone amidst the summertime momentum until The Retar Crew took over the stage. This 4 piece hip hop / rap crew 's set featured a few special guests joining them tonight on the bill as well as other performances by Knowaries and DJ Adrienne Sanchez. To add to tonight's central club theme, there were dazzling light effects to greet each person entering the venue. However, one thing was quite different for SouthSide - she didn't hang out at her usual spot in the balcony. It was stifling hot up there, blogspot readers, to feel the cool breeze that was blowing on the main floor.

Let's get one thing straight about SouthSide - she's not a fan of any kind of hip hop / rap whether it be Gangsta  or West Coast to whatever she has to endure being blasted from her noisy neighbors' cars. Though enjoying The Retar Crew's performance, she also didn't enjoy it at the same time. Let's touch on what she liked about this local group's Double Door show first before highlighting the bad, blogspot readers. The Retar Crew featured a lively mix of lyrical verse within their hip hop groove and fun beats to the delight of their fans and others to get them dancing to the funky rhythms especially when opening with their Retar theme song - a little ditty poking fun at themselves complete with in sync (sexy) dance moves. Yet, there's one thing you must know about this rap crew - they truly don't take themselves or anything (ie pop culture, life, et al) too seriously. However, there's a message hidden their whimsical lyrics to songs like Dead Celebrities (Too Soon?), Jig n' Fin and Social Media Blues. Prime examples of how Retar takes pop culture turning them in social messages especially Jig n' Fin (about a girl with a nasty you know what down there, so fellas beware) and Social Media Blues (plenty of f-bombs being dropped to which they demonstrate their distaste for everything from Obama [yes, this received the biggest cheer when saying "...fuck Obama..."] to media/entertainment icons). Still there are fun tunes when they're not being "serious" like Awesome (here's when you shouldn't believe the hype about them) or A-A-A Don't Hate (a hardcore hip hop tune than the others performed).

Now, as SouthSide mentioned earlier, she didn't like The Retar Crew's show for a few reasons. First, there was an intermission to which surprised this reviewer but also, in her honest opinion, brought down the excitement of their show to a crashing halt, blogspot readers. She's all for promoting and allowing others to share the stage during your special (free) show. However, she couldn't comprehend what possess Retar to add a pantomime puppet show. Granted the puppet show was okay ...she did enjoy the use of Bing Crosby's The Moon Got In My Eyes for this quick 5 minute performance but it somewhat lost the crowd's excitable high and energy dragging it down to a "let's grab a beer" lull. Besides the performance being a bit confusing as well as beautifully artistic, it honestly didn't fit within Retar's central performance theme of the night and didn't really spark any fun interest from the where SouthSide was observing unless you were close to the stage. The second thing which totally lost SouthSide completely during this show was the addition of a Detroit rap group. Now, the show totally came to a grinding halt, blogspot readers. This trio of hip hop artists (including their own DJ) couldn't get this Retar crowd hyped for their short performance especially at the beginning when they hit the stage. This set was incoherent mesh of lyrical verses (the rhymes bouncing off each MC on the mic were garbled whenever they spoke at the same time instead of timed individually to be understood) and of beats that were very uninteresting (sounding like the stuff this reviewer has to suffer through - the excruciating loud thumping one-note bassline). SouthSide can honestly say some (and she means - some) did enjoy this set but most were impatiently waiting for Retar's return to close out their performance.

If this show was just about The Retar Crew (minus the special guests), SouthSide would recommend checking out this local hip hop/rap crew whenever they perform again. Yet, since this featured special guests, she does have her reservations, blogspot readers. This reviewer does plan on giving them another try at a later date.

For more information, visit The Retar Crew at http://www.theretarcrew.com/.


Until next time, support your local scene,
SouthSide

25 Nov 11

"...hip hop is nothing without the DJ..."
DJ Maseo of De La Soul

"...I tell them 'actions'/follow my belief..." ~ Notrydo.Sincere

Hip hop/rap take 2.

Hey, blogospot readers, SouthSide's giving the hiphop/rap scene another try. This time, she's rockin' the Northwest side at Abbey Pub for the final MTM GRP CHGO's Respect the Mic Vs Fresh Produce concert series of 2011. This Chicago-based hip hop events company has successfully ran a mixtape Mondays/Tuesdayz (an original paid open mic) in the past thus starting this concert series "...to influence and educate artists on creating their own lane..." Hosted by well-known producer Tony Baines (who has has produced music for known artists like Twista, Mic Terror and many more), every participating artist and producer that performed on stage also earned money during tonight's event. Besides performances and producer battles, the legendary DJ Maseo (of De La Soul) was scheduled as headliner with Chicago's own Notrydo.Sincere and others opening for him. However, due to time constraint, DJ Maseo was unable to perform, blogspot readers, but SouthSide was granted an exclusive interview with this artist in which she asked for his thoughts about the music industry (hip hop in general) today to whether or not De La Soul would have the success it did back in the 90s if entering the scene now ...and many more.

Many might know DJ Maseo as a man wearing many hats within the music industry. Besides being a rapper, producer, DJ, 1/3 of the ground-breaking hip hop trio known as De La Soul and the laugh behind Gorillaz's Feel Good Inc hit single, did you also know he's a father of four and very philosophical about the world (music and more included) around him in his own comedic way, blogspot readers? When asked to describe himself in five (5) words or less, DJ Maseo had plenty to say about himself to this reviewer by responding "...nostalgic fresh inspirational tenacious and loving ...that could be abusive..." You should add "...funny too ...when it don't cost..." to that list because during most of the interview he had SouthSide laughing so hard from his comedic wit and point views though being very blunt and truthful about what he had to say. "...my comedy is free ...my donation to the world..." since he still had kids to feed. DJ Maseo did mention he was approached to do a reality television show in the past but turned down that offer (plus not stating whom or network that made the offer). This reviewer asked why to which he replied saying that he didn't want to expose his family to that kind of environment opting to keep them and their lives private. "...lose families that way..."

Despite insisting that his personal views about the music industry (mainly hip hop) would kill his career, DJ Maseo in his own philosophical way had plenty to say on the subject. When asked if De La Soul would have the same success today as it did back in the 90s, he said no because records don't sell today. He also stated by saying "...[we're] at the age when people like music but don't love it ...the era before us, music meant something ...made a difference.." DJ Maseo continued by adding music today "...[is] just business..." in which artists are fighting a "...creative war ...and we [the artists] lost..." He cited one more reason why De La Soul wouldn't be successful today. "You don't have to be quality just current..." says Maseo "...artists today are machines ...feed the people the same bullshit and they start thinking it's the shit..." Then SouthSide asked him how has the music industry and hip hop changed to which he responded "...today's hip hop is good..." but personally cannot relate to the genre. It's his belief that "...music is impressionable on the youth..." using an example how his parents couldn't understand anything he listened to beyond Grandmaster Flash. "...Hip Hop [like rock] was rebel music ...rebelling against society..." says DJ Maseo "...now it's part of society and economic grain ...it [hip hop] is watered down ...even rock is watered down..." Then he concluded by adding "...it's not rock ...it's rock with pop ...rock is not chaos anymore..."

Briefly, DJ Maseo discussed how he would like to see the right people educating the youth about hip hop. He said this because he had the opportunity to teach a college course on how to be a DJ/hip hop producer. "...soon you will need a piece of paper ...credentials [to work] in the music industry..." He believes that having credentials is another form of control "...teaching us on how to follow the rules throughout life..." SouthSide did agree with this artist when commenting that there's "...no outside of the box thinking..." especially in today's educational system. That being said, this reviewer wanted to know his thoughts aobut music in general to which he said hip hop/rap shows what's (truly) goes on in the world though "...we rely on it too much..." In his eyes, he sees music especially hip hop as entertainment and nothing more with its many varieties catering to select group of people such as Latino, stripper, gangsta, party, religious, etc. "...it [hip hop] has something to offer people of like minds..." Other genres, according to the philosophical mind of DJ Maseo, conjur fairy tales within music and unlike hip hop, cannot connect with individuals. "...hip hop has no generation gap ...unlike rock (i.e. classic and modern), there's more of an understanding and connection because hip hop is within its same genre..." Though believing "...no other genre of music can bridge the generation gap..." like hip hop can, DJ Maseo does see hip hop falling towards that sub-genre path as Rock did.

Before ending this philosophical interview, DJ Maseo encouraged everyone to follow him on Facebook and Twitter as well as join his 600,000 plus followers on his U-Stream channel. He was the first artist to use this medium to connect with a web audience and use all of the U-Stream's features and preferences for his webcasts. DJ Maseo broadcasts live from his house what he calls a "Wayne's World" like show that features him and special guest DJs/artists. While parting with "...I come from an era when everyone was a star based on creativity to me...", Chicago hip hop artist Notrydo.Sincere added his own personal thoughts about DJ Maseo into the conversation stating "...DJ Maseo is an icon..." He also commented how the artist and his music saved his life from the streets and gangs. To DJ Maseo, that was more rewarding to hear than any accolade or award received. For more information about DJ Maseo, visit http://www.myspace.com/djmaseo.

Before the main event of Respect the Mic which featured brief performances by Contagious, D Money, Rio and Notrydo.Sincere, DJ Maseo instilled some helpful advice to all of the performers in the audience that they can actually do this full-time without a big time contract backing them if they follow two simple steps: start it as a passion and then treat themselves and their craft as a business to make money. The opening acts presented a wide range of up-n-coming artists performing different styles of hip hop/rap on stage such as gangsta to party and some having a heavy bass or melodic sound. In SouthSide's opinion, there were a few hits and misses based on the audience's reactions even though each hip hop act had a few minutes to impress them with their tracks and stage presence. Sometimes it was the microphone used that was the main culprit during a performance from bad feedback to low volume that this reviewer couldn't hear a single word said. Or perhaps it was a combination of things (i.e. music, MC) which didn't generate much hype or energy at all. Mid-way through the show, there was producer battles in which producers pitted their best beat tracks against each other and the audience (by show of hands and cheers) voted for their favorite. These were fierce ..."take no prisoners" competitions for a cash prize, blogspot readers. SouthSide missed most of the battles because she was interviewing DJ Maseo however she did stay for the final rounds. Who were the top finalists of the night? Who won the cash prize? Keep reading this review to find out.

Notrydo.Sincere may sound like something Yoda would say to any Jedi apprentice when doubting their abilities in using the Force. however that's not actually the case, blogspot readers. This Chicago artist received this special moniker from his grandmother which now has become his own personal mantra in life. "...that any and all things must be done with the deepest level of passion and sincerity ...it leads to the highest power associated with 'doing' versus the attempts of a mere 'try' ...all one seeks to pursue must be done 'sincerely'..." It's something this designer, songwriter, producer, keyboardist, and drummer tries to embody within his progressive music and style of hip hop that's known to be "...lyrically passionate and captivating..." Yet who is this artist really? When asked, he described his music to be "...cultured dignity powerful love that comes from an honest place..." It's meant to be inspiring and motivating but there's one thing that separates him from the rest, blogspot readers. He's the ONLY hip hop artist SouthSide knows with his own drumline. Incidentially, that was her first question to Notrydo.Sincere - what inspired him to incorporate a drumline with his act. He replied that he wanted to be different like The Roots whose music features live instruments (i.e. horns, percussions). He first met Jamie Poindexter (captain of the the drumline and who runs a program to keep troubled youth off the streets) while working on a marketing campaign for a client and soon the two performed together at Round Fest. That was four years ago. Notrydo said "...they [people] like it but feel intimidated at first ...now we're getting a lot of press about it..." This artist and his drumline has appeared in festivals around town performing sixty shows (or more) a year.

Notrydo.Sincere and his drumline along with backing MC Kaotic rocked down the Abbey stage with an energizing percussion force and rhythmic momentum that kept this crowd hyped despite the shortness of his set. The live percussion sound against his DJ complemented each other giving every song performed that resounding umph of electricity (and more) as the music wafted throughout the lively venue. This reviewer not only saw the energy surging amongst the crowd as well as inciting them to react but also felt it immediately when this artist first hit the stage and during his cover of Tony Baines' Incredible. She asked him if there's a message that he's trying to convey within his hip hop to which Notrydo replied "...every time ...people need to understand it's a movement ...[something] way bigger than me..." This artist uses unconventional methods to get that message across to the masses like putting his entire album Robot on a 2 Gig flashdrive featuring more unconventional hip hop music. Currently, he's working on two projects one of which with producer Tony Baines that's a special tribute to Prince calling it the purple album. So SouthSide, had to know what inspires this unique hip hop artist's music and lyrical verses. Notrydo replied stating "...good music..." with a beaming smile which might surprise many that he doesn't listen to rap music per se but does listen to instrumental classics giving his recommendation to Pandora. And classic would be any genre. Whether it's rock, the legendary blues artist John Lee Hooker ...even A-Ha. What Notrydo is really into these days is Afro-beats and he did disclose to SouthSide of his plans to move to Africa one day having dual citizenships here and there. Who knows, blogspot readers, one day there might be an Afro-beat album by this phenomenial artist. Closing this interview, Notrydo.Sincere suggested blogspot readers listening to his track Let's Go "...wrote it in one take ...I love to be inspired ...to be spontaneous ...that's why women love me..." Also Notrydo dedicated one of his favorite inspirational Fela track to this reviewer at the end of the show and she could absolutely hear why it would inspire and motivate him. The music within this particular track had a lively beat and energizing rhythm that instantly had her dancing to the melodic groove. For more information about Notrydo.Sincere, visit http://www.myspace.com/notrydosincere or http://www.reverbnation.com/notrydosincere.

The two finalists in the producer battles were KI and Trackmatic however there only could be one winner and that producer was - Trackmatic.


Until next time, support your local scene,
SouthSide

22 Nov 11 - Part 1

Hey, blogspot readers, SouthSide has officially lost an "On The Town" V-card! Her recent adventure on Tuesday night took this roving reviewer inside Chicago's hip hop/rap scene for the first time at Reggie's Rock Club. There, she attended an all-ages show presented by Wolf Ho Inc featuring up-n-coming hip hop/rap artists like Blackout Cliq and Kosha Dillz (and friends) with Kid Ink (CA) headlining.

However, SouthSide soon discovered something was terribly wrong with this particular Reggie's show upon her arrival. And mostly it was the audience, blogspot readers, as she observed them being nonresponsive especially during Blackout Cliq's performance. This reviewer doesn't think it was the music per se (mostly classic R&B/soul and DJing turntables) that caused this "dead" silent atmosphere amongst the all-ages crowd. Though noting there was energy and momentum felt from the MCs' lyrical verses, it wasn't enough to spark an instant cheer or anything when the song was over. They were simply overworking themselves into exhaustion trying to get this crowd hyped. Even being billed as "the only Jewish rapper in Korea town" didn't score any winning points for Kosha Dillz and his guest rap artists either. This listless atmosphere continued at the beginning of his (Kosha's) performance until he had to literally instruct the crowd on how to "behave" while attending a hip hop/rap show. Despite that slow start, this artist did finally win them over when performing a song about garage sales and then demonstrating his lyrical freestyle skills about ordinary objects such as a folder and mobile phone. SouthSide did like Kosha's Hebrew-Spanish-English mixed song but honestly felt it merely confused the crowd (since they had to respond by saying "Yes Yes" to his Hebrew-Spanish lyrics) more than entertained before rockin' out the set with a humorous tune about sweatpants.

Suddenly that - the listless atmosphere and the crowd's mood - seemed to change once headliner Kid Ink took control of the stage. POW! The mood and atmosphere immediately jumped to spontaneous life as this charismatic hip hop/rap artist burst into his opening song. It was the first time SouthSide had seen this crowd come to life without any prompted instructions. Kid Ink worked his magic by spinning fast lyrical verses amidst lively rhythms and fresh beats/music to which everyone from the front of the stage to the back began partying and rockin' to the music. You could literally feel the excitement being generated in the air, blogspot readers, by this artist ...he definitely had a commanding stage presence while keeping everyone hyped song after song. At times, you could also hear the some rapping along with him especially during the songs Blackout and Hannah Montana (not your Disney-friendly song about Mylie Cyrus). Kid Ink had this energizing as well as intense persona about him that couldn't be stopped. That's what this reviewer liked most about this artist besides his lyrical verse abilities and etc. He kept his performance moving continuously which in turn had the momentum flowing while he worked every inch of the Reggie's stage ...charming the ladies (plenty of eye candy when having his shirt off) and shaking hands with eager fans. For example, during one particular song, he had the crowd soaring high through the hip hop skies as they were on top of the world with him. Though unable to stay til the very end of Kid Ink's performance, SouthSide enjoy the exciting, highly intense Kid Ink performance, blogspot readers, and suggests hip hop/rap fans checking out this up-n-coming artist at his next show. For more information about Kid Ink, visit http://www.kidinkmusic.com.


Until next time, support your local scene,
SouthSide